Composed entirely of natural materials, branches, natural wax, cotton yarn, and wool, the sculpture celebrates nature’s purity and transience. While the cotton yarn is the most processed element, it helps binding the structure together, symbolizing humanity’s role in reconstructing natural systems. Just as the branches have been severed from their origins, so too have we disrupted nature - but now is the time to rebuild and protect what we destroyed.
Ephemeral and ever-changing, the sculpture grows and will ultimately decompose, returning to the earth. This cycle embodies the beauty of impermanence, reminding us of the deep interconnectedness between life, art, and the natural world.
This sculpture bridges the purity of nature with the influence of human intervention.
At its core is an olla, a porous clay vessel that slowly releases water, which is absorbed by the surrounding textile and delivered to the seeds. As plants grow, their roots weave through the crochet, transforming the piece into a living system.
The intend is to spark a conversation about reintegrating nature into our lives and finding balance in a world shaped by colonization, capitalism, and industrialization.
This sculpture represents the most advanced level of human influence among the three works, employing 3D printing to meticulously shape and plan its form. Despite this precision, the use of biodegradable materials bridges technology and nature, reflecting a deep desire to reconnect with the natural world through human ingenuity.
Its design embodies this pursuit of harmony. A flower-like element at the top collects water, which flows through carefully placed openings at the base to nourish the plants growing on its stretchable fabric body. The crochet fabric, with its flexible bindings, provides structural support while symbolizing the interplay between controlled human design and organic growth.
Over time, the dense growth of the plants will overtake the fabric entirely, transforming the piece. This slow, inevitable overgrowth serves as a reminder of nature’s permanence in contrast to the impermanence of human-made objects.
